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The album is considered to have been the first to reintroduce Joplin's music in the early 1970s and thus contributing to the 1970s revival of Ragtime. It received critical recognition upon its release, and, after several of Joplin's compositions were featured in the 1973 film The Sting , achieved commercial success, becoming Nonesuch Records ...
While the word ragtime was first known to be used in 1896, the term probably originates in the dance events hosted by plantation slaves known as “rags”. [4] The first recorded use of the term ragtime was by vaudeville musician Ben Harney who in 1896 used it to describe the piano music he played (which he had extracted from banjo and fiddle players).
Max Edward Morath (October 1, 1926 – June 19, 2023) was an American ragtime pianist, composer, actor, and author. He was best known for his piano playing and is referred to as "Mr. Ragtime". [1]
Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the continuation of the free love movement, and, of course, Rock and Roll at its height of fame ...
Many ragtime pianist, beginning around the 1920s, went on to perform stride and boogie-woogie and other lists of artists might be more identified with either. Shapiro's two lists above, exclude those who are known more as (i) non-piano ragtime composers (ii) ragtime revivalist (iii) stride pianists, and (iv) boogie-woogie pianists.
Heliotrope Bouquet: Piano Rags 1900–1970, Nonesuch Records, 1971; Bolcom Plays His Own Rags, Jazzology, 1972; Piano Music By George Gershwin, Nonesuch Records, 1973; Pastimes and Piano Rags, Nonesuch Records, 1974; Ragtime Back To Back (with William Albright), U of M School of Music, 1976
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. [1] It was sold first as sheet music by John Stark & Son of St. Louis, Missouri, [2] and in the 1910s as piano rolls that would play on player pianos. [1] The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar. [1]
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...