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When Joplin was learning the piano, serious musical circles condemned ragtime because of its association with the vulgar and inane songs of Tin Pan Alley. [4] As a composer, Joplin refined ragtime, developing it from the dance music played by pianists in brothels in cities like St. Louis . [ 5 ]
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. [1] It was sold first as sheet music by John Stark & Son of St. Louis, Missouri, [2] and in the 1910s as piano rolls that would play on player pianos. [1] The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar. [1]
The "Maple Leaf Rag" (copyright registered on September 18, 1899) [1] is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. [2]
Joplin was the second of six children [6] born to Giles Joplin, a former slave from North Carolina, and Florence Givens, a freeborn African-American woman from Kentucky. [7] [8] [9] His birth date was accepted by early biographers Rudi Blesh and James Haskins as November 24, 1868, [10] [11] although later biographer Edward A. Berlin showed this was most likely incorrect.
Four events brought forward a different kind of ragtime revival in the 1970s. First, pianist Joshua Rifkin released a compilation of Scott Joplin's work, Scott Joplin: Piano Rags, on Nonesuch Records, which was nominated in 1971 for a Grammy Award for Best Classical Performance – Instrumental Soloist or Soloists (without orchestra) category. [22]
Scott Joplin was an early musician who transformed much of the landscape of popular music in the early 1900s. Though many details of his short life are uncertain, his impact on early American ...
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...
"Weeping Willow" is a 1903 classic piano ragtime composition by Scott Joplin. It was one of Joplin's simpler and less famous ragtime scores, written during a transitional period in his life, and one of the few pieces that Joplin cut as a piano roll in a 1916 session.