Search results
Results From The WOW.Com Content Network
The Girl in a Picture Frame is a 1641 oil on panel painting by the Dutch artist Rembrandt. [1] [2] It is also known as The Jewish Bride and The Girl in a Hat. With The Scholar at the Lectern and Landscape with the Good Samaritan, it is one of three Rembrandt paintings in Polish collections. [3] [4] It is now in the Royal Castle in Warsaw.
A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
A painting by titled "Portrait of Girl" by Dutch painter Rembrandt Harmenszoon van Rijn sold for $1.4 at the Thomaston Place Auction Galleries in Thomaston, Maine on August 24, 2024.
The painting is a group portrait of five gentlemen from the Amsterdam cloth guild who were responsible for inspecting the cloth, along with their servant. They were not the regents of the guild but the wardens: two Catholics, a Mennonite, a Remonstrant, and a Reformed Protestant.
Labeled as Portrait of a Girl, the piece sold for $1.4 million in an auction. ... "We don't discover new paintings by Rembrandt every day." Read the original article on Martha Stewart. Show comments.
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]