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The OU Chant is the alma mater of the University of Oklahoma. The chant was written in 1936 by Jessie Lone Clarkson Gilkey, the coach of the OU girl's glee club from 1936 to 1938. It is played by The Pride of Oklahoma and sung by fans and alumni during pregame festivities prior to home football games in Oklahoma Memorial Stadium .
"Boomer Sooner" is the fight song for the University of Oklahoma (OU). The lyrics were written in 1905 by Arthur M. Alden, an OU student and son of a local jeweler in Norman . The tune is taken from " Boola Boola ", the fight song of Yale University (which was itself borrowed from an 1898 song called "La Hoola Boola" by Robert Allen (Bob) Cole ...
The chant has been adopted by the fans of English rugby union premiership side Wasps changing "Oggy" to "Allez" and "Oi" to "Wasps" and the Exeter Chiefs. replacing the word Oi with the word Chiefs. The chant was also popular in Calgary , Alberta, Canada, where a variation had fans of the Calgary Flames shout "Iggy, Iggy, Iggy, Oi Oi Oi" when ...
The University of Oklahoma Sigma Alpha Epsilon racist incident, known as SAE-OU racist chant incident, occurred on March 7, 2015, when members of the University of Oklahoma (OU) chapter of Sigma Alpha Epsilon (SAE) were filmed performing a racist song that used the word "nigger" and referenced Jim Crow.
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Wakely earlier recorded the song as "Oklahoma Blues." This one (with "City") is a little shorter, but has the same words and tune. [253] "Oklahoma City Blues" – Neal Pattman, 1999. [254] (Wakely's and Pattman's songs are two completely different compositions.)
A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
In its typical specialized usage, the word chanson refers to a polyphonic French song of the late Middle Ages and Renaissance. [4] Early chansons tended to be in one of the formes fixes—ballade, rondeau or virelai (formerly the chanson baladée)—though some composers later set popular poetry in a variety of forms. The earliest chansons were ...