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Deborah S. Bosley explores this new concept of the "feminist theory of design" [112] by conducting a study on a collection of undergraduate males and females who were asked to illustrate a visual, on paper, given to them in a text. Based on this study, she creates a "feminist theory of design" and connects it to technical communicators.
One of her best known works is Feminine Endings (1991). "Feminine ending" is a musical term once commonly used to denote a weak phrase ending or cadence.The work covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse, and discursive strategies of women musicians.
Rosetta Reitz (1924–2008) was an American jazz historian and feminist who established a record label producing 18 albums of the music of the early women of jazz and the blues. [ 1 ] Women in musicology describes the role of women professors, scholars and researchers in postsecondary education musicology departments at postsecondary education ...
Women's music (or womyn's music or wimmin's music) is the music by women, for women, and about women. [233] The genre emerged as a musical expression of the second-wave feminist movement [ 234 ] as well as the labour , civil rights , and peace movements . [ 235 ]
Marilyn Frye (born 1941) is an American philosopher and radical feminist theorist. She is known for her theories on sexism, racism, oppression, and sexuality.Her writings offer discussions of feminist topics, such as: white supremacy, male privilege, and gay and lesbian marginalization.
Few artists have a neat origin story, but Kathleen Hanna, the feminist punk pioneer and celebrated frontwoman whose rallying cry of “girls to the front” inspired generations, may have a pretty ...
Kassia, one of the earliest known female composers. Women in Music play many roles and are responsible for a broad range of contributions in the industry. Women continue to shape movements, genres, and trends as composers, songwriters, instrumental performers, singers, conductors, and music educators.
Poststructural feminism has been criticised for its abandonment of the humanistic female subject, and for tactical naivety in its rejection of any form of female essentialism. [ 10 ] French materialist feminists have criticized the American reduction of French feminism to its poststructuralist current. [ 11 ]