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Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music. The term "baby" originally referred to any of several Latin duet dances with origins from the Congo and Angola. Today Samba is the most prevalent dance form in Brazil, and reaches the height of its importance during the festival of Carnaval. [1]
Samba is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilian communities of Bahia in the late 19th century and early 20th century, [4] having continued its development on the communities of Rio de Janeiro in the early 20th century.
"Samba de Janeiro" was very successful on the charts in Europe, peaking at number-one in Hungary and it was a number two hit in both Germany and Switzerland. It made it to the top 10 also in Austria, Belgium, Denmark, Finland, France, Iceland, Ireland, the Netherlands, Scotland and the United Kingdom, as well as on the Eurochart Hot 100 , where ...
Jessé Gomes da Silva Filho, known professionally as Zeca Pagodinho (Portuguese pronunciation: [ˈzɛkɐ pɐɡɔˈdʒĩɲu], born February 4, 1959), is a Brazilian singer-songwriter working in the genres of samba and pagode.
"Sugar Loaf Samba" by Stanley Black<--this is an orchestrated, piano-based Samba that has no words --> "Sugar Loaf Sunrise" by Wade Marcus "Suiça Carioca" by Azymuth "Summer Nights in Rio" by Wilton Felder "Swingin' Down To Rio" by Charlie Barnet "Take You to Rio", by Justin Bieber, from the animated film Rio "Tango del Rio" by Thierry Lang
"Mas que nada" (Brazilian Portuguese pronunciation: [ma(j)s ki ˈnadɐ]) is a song written and originally recorded in 1963 by Jorge Ben (currently known as Jorge Ben Jor) on his debut album Samba esquema novo. The song was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature works.
Donga was born in Rio de Janeiro, the son of Pedro Joaquim Maria and Amélia Silvana de Araújo; he had eight siblings. His father was a bricklayer and played the euphonium in his spare time; his mother was the known Tia Amélia from the group of tias baianas of Cidade Nova and liked to sing modinhas and promoted countless parties.
In the 1930s, 'samba-canção' was the denomination applied to some sentimental tunes written for musical reviews. They were not many. Some representative sambas-canções of this kind are: No rancho fundo (1931, lyrics and music by Ary Barroso and Lamartine Babo), Na batucada da vida (1934, Ary Barroso and Luiz Peixoto") and Serra da Boa ...