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The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
Designed to be the successor of the MP3 format, AAC generally achieves better sound quality than MP3 at similar bit rates. AC-3 Audio Coding 3 is a 6-channel, audio file format by Dolby Laboratories that usually accompanies DVD viewing.
Advanced Audio Coding is designed to be the successor of the MPEG-1 Audio Layer 3, known as MP3 format, which was specified by ISO/IEC in 11172-3 (MPEG-1 Audio) and 13818-3 (MPEG-2 Audio). Improvements include: more sample rates (from 8 to 96 kHz) than MP3 (16 to 48 kHz);
Digital music stores sell copies of digital audio, for example in MP3 and WAV file formats. Unlike music streaming services, which typically charge a monthly subscription fee to stream digital audio, digital music stores download songs to the customer's hard disk drive of their device.
Out of 300 participants, "71% of all listeners indicated that WMA Pro was equal to or better than HE AAC." [citation needed] However, a September 2003 public listening test conducted by Roberto Amorim found that listeners preferred 128 kbit/s MP3 to 64 kbit/s WMA audio with greater than 99% confidence.
An audio coding format [1] (or sometimes audio compression format) is a content representation format for storage or transmission of digital audio (such as in digital television, digital radio and in audio and video files). Examples of audio coding formats include MP3, AAC, Vorbis, FLAC, and Opus.
The Super Audio CD (SACD) format was created by Sony and Philips, who were also the developers of the earlier standard audio CD format. SACD uses Direct Stream Digital (DSD) based on delta-sigma modulation. Using this technique, the audio data is stored as a sequence of fixed amplitude (i.e. 1-bit) values at a sample rate of 2.884 MHz, which is ...
That sentence is addressing that AAC isn't a silver bullet in terms of superiority that would justify MP3 being completely marginalized, as bitrates higher than 128 are only minimally superior quality than MP3 at the same bitrate, but at lower bitrates, AACs superior design, better joint stereo leaves MP3 unable to compare.