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Commedia dell'arte [a] was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. [ 4 ] [ 5 ] It was formerly called Italian comedy in English and is also known as commedia alla maschera , commedia improvviso , and commedia dell'arte all'improvviso . [ 6 ]
The Gelosi was a well-established theatre company that performed commedia dell'arte. [6] The Gelosi were patronized by the aristocracy of northern Italy, usually performing for the gentry of Italy and France. Henry III of France was fond of the troupe, and Andreini performed for him in those very early years. [8]
The earliest recorded visits by Italian players were commedia dell'arte companies employed by the French court under the Italian-born queens Catherine de' Medici and Marie de' Medici. These troupes also gave public performances in Paris at the theatre of the Hôtel de Bourgogne, probably the earliest public theatre to be built in France.
One of the major distinctions of commedia dell'arte is the use of regional languages. [11] Arlecchino's speech evolved with the character. Originally speaking in a Bergamo dialect of Lombard language , the character adopted a mixture of French, Lombard and Italian dialects when the character became more of a fixture in France so as to help the ...
After this they toured all over Europe, spreading commedia dell'arte from Italy to France, Poland, Spain, Germany, and England. Not only was I Gelosi the first troupe patronized by nobility, they were also some of the first to allow women to perform as women, and also write and direct, during this time period [ 3 ]
Digging deeper into Arte France’s co-production strategy, Piel, who heads the foreign drama strand and co-runs the French slate with head of drama Agnès Olier, says his goal is to feed both the ...
Pierrot (/ ˈ p ɪər oʊ / PEER-oh, US also / ˈ p iː ə r oʊ, ˌ p iː ə ˈ r oʊ / PEE-ə-roh, PEE-ə-ROH; French: ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
The characters from the Commedia dell'arte would have a profound effect on French theatre, and one finds echoes of them in the braggarts, fools, lovers, old men and wily servants that populate French theatre. Opera came to France in the second half of the century. The most important theatres and troupes in Paris: