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The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in
Venus Frigida; Venus in Search of Cupid Surprises Diana; Venus of Poetry; Venus of Urbino; Venus Persuading Helen to Love Paris; Venus plays the Harp; Venus Verticordia (Rossetti) Venus Weeping for Adonis (Poussin) Venus with a Mirror; Venus with a Satyr and Two Cupids; Venus with Mercury and Cupid; Venus, Cupid and Mars; Venus, Cupid, Folly ...
Peter Paul Rubens' Venus at the Mirror, c. 1614–15, shows the goddess with her traditionally blond hair. [7] As with Velázquez's Venus, the goddess's reflected image does not match that portion of her face visible on the canvas. In contrast to Rubens' luscious and 'rounded' ideal form, Velázquez painted a more slender female figure. [8]
Venus Victrix ("Venus the Victorious"), a Romanised aspect of the armed Aphrodite that Greeks had inherited from the East, where the goddess Ishtar "remained a goddess of war, and Venus could bring victory to a Sulla or a Caesar". [46] Pompey vied with his patron Sulla and with Caesar for public recognition as her protégé.
Carlotta Chabert as Venus is an 1830 portrait painting by the Italian artist Francesco Hayez. It depicts the celebrated ballerina Carlotta Chabert in the role of the Roman Goddess Venus. [1] Due to the presence of two doves in the painting it is also known as Venus with Doves. [2] Today it is in the Museum of Modern and Contemporary Art in ...
In Sandro Botticelli’s “Birth of Venus” painting, Venus is accompanied by falling roses, which were said to have been born on the day of the goddess’s nativity, offers Compton.
Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
Venus Anadyomene [1] (Greek: Ἀναδυόμενη, "Venus, Rising from the Sea") is one of the iconic representations of the goddess Venus , made famous in a much-admired painting by Apelles, now lost, but described in Pliny's Natural History, [2] with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great ...