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In January 1948, John A. Jenson published the first edition of the Othello Progress News. [3] In 1951, G. W. Crisman, president of the Leader Publishing company, announced the paper had been sold to Warren Baslee, with Bruce A. Wilson acquiring an interest. [4] At that time the paper's name was changed to the Othello Outlook. [5]
It was a Poetry Book Society Choice in 2023 and went on to win the 2023 Forward Prize for Best Collection [10] and the 2023 T. S. Eliot Prize. [11] According to the Eliot Prize judging panel (which comprised Paul Muldoon , Sasha Dugdale and Denise Saul), Allen-Paisant's collection is "a book with large ambitions that are met with great ...
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
A common theme of modern productions of the play is an emphasis on military life. ... the part of Othello is a main subject of his book Creating a Role. [319] In it ...
The name was selected by Hasegawa [14] as a reference to the Shakespearean play Othello, the Moor of Venice, referring to the conflict between the Moor Othello and Iago, and to the unfolding drama between Othello, who is black, and Desdemona, who is white. The green color of the board is inspired by the image of the general Othello, valiantly ...
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
The title character of the play is Desdemona, the wife of the title character in Shakespeare's Othello. [1] The 2011 play arose from a collaboration between Morrison, director Peter Sellars, and musician Rokia Traoré. About a decade earlier, Morrison and Sellars had disagreed about Shakespeare’s play, which Sellars detested, but Morrison valued.
Kenneth Peacock Tynan (2 April 1927 – 26 July 1980) was an English theatre critic and writer. Initially making his mark as a critic at The Observer, he praised John Osborne's Look Back in Anger (1956) and encouraged the emerging wave of British theatrical talent.