Search results
Results From The WOW.Com Content Network
An idealized and extreme smiley face curve shown using a 29-band graphic equalizer. A smiley face curve or mid scoop [1] in audio signal processing is a target frequency response curve characterized by boosted low and high frequencies coupled with reduced midrange frequency power.
The use of effects in the reproduction of 2010-era pop music is often in an attempt to mimic the sound of the studio version of the artist's music in a live concert setting. For example, an audio engineer may use an Auto Tune effect to produce unusual vocal sound effects that a singer used on their recordings.
Raise the level of the monitor until it just begins to feedback, lower by 3 db or so. Now sweep the frequency of the filter until the monitor feeds back. Sweep it back and forth over the feedback frequency to find the center frequency by finding the lower and upper frequency of the ring and setting it to the middle between these two frequencies.
For example, in Europe, for many years recordings required playback with a bass turnover setting of 250 to 300 Hz and a treble rolloff at 10,000 Hz ranging from 0 to −5 dB, or more. In the United States, practices varied and a tendency arose to use higher bass turnover frequencies, such as 500 Hz, as well as a greater treble rolloff such as ...
An exciter (also called a harmonic exciter or aural exciter) is an audio signal processing technique used to enhance a signal by dynamic equalization, phase manipulation, harmonic synthesis of (usually) high frequency signals, and through the addition of subtle harmonic distortion. Dynamic equalization involves variation of the equalizer ...
Coldplay's second version of the Xylobands, in use during a concert on the A Head Full of Dreams Tour. The wristbands were given to each audience member at Coldplay's 2012 Mylo Xyloto tour. As the music played, the wristbands flashed with the music to create a colorful light show in the audience, which the Washington Post referred to as a ...
The music video of "All or Nothing" was released by Warner Bros. Records to promote the DVD.This video is a montage of a newly recorded performance of the song (with straight red wig) and clips of various other performances from the DVD recorded at the MGM, but the audio is the "All or Nothing" (Metro Radio Mix).
[10] Christian Mordi of XXL gave the EP an L, saying "Clocking in at under 25 minutes, Live in Concert is on the short side but is potent nevertheless, giving fans exactly what was expected (with the exception of these flute solos). It’s predictable, enjoyable, warm-weather music that will be embraced with open arms by Jet Life and Taylor ...