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Dark Romanticism is a literary sub-genre of Romanticism, reflecting popular fascination with the irrational, the demonic and the grotesque. Often conflated with Gothic fiction , it has shadowed the euphoric Romantic movement ever since its 18th-century beginnings.
Immanuel Kant's criticism of rationalism is thought to be a source of influence for early Romantic thought. The third volume of the History of Philosophy edited by G. F. Aleksandrov, B. E. Bykhovsky, M. B. Mitin and P. F. Yudin (1943) assesses that "From Kant originates that metaphysical isolation and opposition of the genius of everyday life, on which later the Romantics asserted their ...
Romantic epistemology emerged from the Romantic challenge to both the static, materialist views of the Enlightenment (Hobbes) and the contrary idealist stream (Hume) when it came to studying life. Romanticism needed to develop a new theory of knowledge that went beyond the method of inertial science, derived from the study of inert nature ...
Romantic psychology emerged at the beginning of the 19th century from German Romanticism and nature philosophy. [1] It was closely linked to the natural sciences and encompassed diverse conceptions of the mind that focused on the intimate relationship between the psyche, natural forces, and the cultural background of societies. [1]
In Plato's dialogues, we find the soul playing many disparate roles. Among other things, Plato believes that the soul is what gives life to the body (which was articulated most of all in the Laws and Phaedrus) in terms of self-motion: to be alive is to be capable of moving yourself; the soul is a self-mover. He also thinks that the soul is the ...
The philosophy of self examines the idea of the self at a conceptual level. Many different ideas on what constitutes self have been proposed, including the self being an activity, the self being independent of the senses, the bundle theory of the self, the self as a narrative center of gravity, and the self as a linguistic or social construct rather than a physical entity.
Dorothea Frede argued that “as to the exact nature of the soul we are left somehow in the dark by Plato in the Phaedo and also in Republic X." [28] D.R. Campbell argued that "Plato believes that the soul must be both the principle of motion and the subject of cognition because it moves things specifically by means of its thoughts." [29]
The Charmides (/ ˈ k ɑːr m ɪ d iː z /; Ancient Greek: Χαρμίδης) is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint."