Search results
Results From The WOW.Com Content Network
Note that the ears of the dog are visible today as pentimenti on the lady's sleeve. The painting was originally oil on panel, and was transferred to canvas during conservation work in 1934. It was in the course of this work that overpainting was removed, revealing the unicorn , and removing the wheel, cloak, and palm frond that had been added ...
The figure appears healthy with smooth skin, full proportions and a faint pink tint in her cheeks. Her eyes are looking towards the left, and she wears a small, possibly amused smile. La Fornarina is also wearing an armband engraved with the painter's signature, "Raphael Vrbinas". [2]
The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
Lady with a Unicorn: Galleria Borghese, Rome, Italy: Oil on panel 65 x 51 1506: The Holy Family With a Palm Tree [Wikidata] Scottish National Gallery, Edinburgh, United Kingdom: Oil and gold on canvas transferred from panel diameter 101,5 c. 1506: Self-portrait: Palazzo Pitti, Florence, Italy: Tempera on panel 47,5 x 33 c. 1506: Saint George ...
J. Howard Miller's "We Can Do It!" poster from 1943 "We Can Do It!" is an American World War II wartime poster produced by J. Howard Miller in 1943 for Westinghouse Electric as an inspirational image to boost female worker morale. The poster was little seen during World War II.
The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy.
The original edition of The New York Times Guide to the Best 1,000 Movies Ever Made, published in 1999, included the film. [14] Daisy Miller holds a 71% rating on Rotten Tomatoes, based on 14 reviews. [15] On Metacritic, it has a score of 48%, based on reviews from 7 critics, indicating "mixed or average reviews". [16]
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]