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The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular. In Anglican, Lutheran, and Catholic services, the Magnificat is generally followed by the Gloria Patri.
Magnificat quarti toni a 2; Magnificat quarti toni a 4 Juan de Anchieta: 1462 1523 Magnificat sexti toni; Magnificat tertii toni – See e.g. Cancionero de Segovia: Robert Fayrfax: 1464 1521 Magnificat 'O bone Jesu' a 5 (STTTB); Magnificat 'Regale' (SATTB) Jerzy Liban: 1464 after 1546 Nine Magnificats in Tonus I–IX (1540) Pedro de Escobar: c ...
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology.The following table shows the title, voices, tempo marking, time, key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
The Magnificat, WAB 24 is a setting of the Magnificat [1] for SATB choir and soloists, orchestra and organ composed by Anton Bruckner in 1852. History.
The Magnificat in E-flat major, BWV 243a, also BWV 243.1, [1] by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements , scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets ...
The Magnificat in C major, D 486, is a musical setting of the Magnificat hymn composed by Franz Schubert in 1816. [1] It is scored for SATB soloists , mixed choir , 2 oboes , 2 bassoons , 2 trumpets , violin I and II, viola , timpani and basso continuo ( cello , double bass and organ ).
Hoffmann's German Magnificat in A minor was recorded: By soprano Magda László accompanied by five instrumentalists, c. 1958. [23] [24] In April 1965, by Micheline Tessier , with L'Ensemble instrumental de Arts-Québec conducted by Mireille Lagacé . [25] By Brigitte Ganady, with an instrumental ensemble conducted by Georges Aubert (1969).
SQI-4031: "Música en la casa del Marqués de Sobremonte", is the first on a series of recordings at the museum known as the House of the Marqués de Sobremonte by the Coro de Cámara de Córdoba conducted by César Ferreyra; the Conjunto de Instrumentos Antiguos del Goethe Institute conducted by Raúl Alvarellos, Mario Videla organ and ...