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When high-fashion womenswear reverted to highly structured garments with big shoulder pads for fall of 1978, high-fashion menswear followed suit the following year, [157] Cardin replicating his women's pagoda shoulders in his men's suits [158] and even Armani adding unusually pronounced shoulder pads to his men's jackets, [159] [160] a trend ...
The drape suit was a more comfortable, athletic alternative to the slim suits of the preceding war years and their restrictions. It had more fabric through the shoulders and chest, causing a slight drape or wrinkle. [3] Like other suit jackets, this style could be made single or double-breasted.
The ability to properly cut peak lapels on a single-breasted suit is one of the most challenging tailoring tasks, even for very experienced tailors. [15] Shawl lapels are a style derived from the Victorian informal evening wear, and as such are not normally seen on suit jackets except for tuxedos or dinner suits. [16]
Off-the-shoulder (one edge, nearly linear. Also known as Carmen neckline) These are similar to boat necklines but are significantly lower, below the shoulders and collar bone. Usually these pass over the arms but, in the strapless neckline style, may pass under the arms. These necklines reveal and accentuate the wearer's shoulders, collar bone ...
Apparel Arts magazine, an account of 1930s fashion and style; some issues more relevant than others, such as those reproduced with comment at The London Lounge. Amies, Hardy (2013). The Englishman's Suit. London: Quartet Books Ltd. ISBN 978-0-7043-7169-9. Antongiavanni, Nicholas (2006). The Suit: A Machiavellian Approach to Men's Style ...
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