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Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
They are formed using clay, wood or plaster molds, and then decorated with paint and other materials for create details such as mustaches. The Cora indigenous population in Jesús María, El Nayar and Santa Teresa communities in Nayarit create papier-mâché masks for Holy Week, often to depict the Pharisees. These are generally placed in the ...
The Huichol have a long history of beading, making the beads from clay, shells, corals, seeds and more and using them to make jewelry and to decorate bowls and other items. The "modern" beadwork usually consists of masks and wood sculptures covered in small, brightly colored commercial beads fastened with wax and resin.
José Reyes Juárez is a Mexican mask maker for traditional dances in the state of Tlaxcala. His work has earned him the title of “grand master” from the Fomento Cultural Banamex. [1] Reyes Juárez is from a small community called Tlatempan, in the municipality of San Pablo Apetatitlán, Tlaxcala.
The use of masks dates back to the pre Hispanic era and today are used for dances such as Moors and Christians, the Devils, the Little Blacks, Los Viejitos, the Ranchers, the Hermits the Maringuias (men in women's dress) and Cúrpites (which means “eat together”). Utilitarian items include spoons, trays and shallow bowls, some of which are ...
The men shape the wood and the women paint and decorate. Each mask takes about 26 hours of work, making its price above what poor people can pay. Mostly of European faces for dances such as the Huehues. [10] Jesus Tlatempan is also noted for the making of wood masks for Carnival and religious images which are painted in oils. [8]
Barro negro is a non-glazed pottery, which gets its shine from burnishing, rubbing the dried piece before firing. It is almost exclusively made in the Coyotepec area. These pieces are also decorative and include lamps, large jars called cantaros, bells, masks, wall decorations and more.
Chiapa de Corzo is noted for the making of wooden bowls, spoons, toys, masks and more, a significant number of which are destined to be lacquered. [1] Masks are made in San Fernando and Huixtan, with the most representative being the mask for the parachico dance of Chiapa de Corzo. It represents how the Spanish looked to the indigenous, with a ...