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The initiator then pours water over the initiates hands, gives him a Sanskrit shloka, Shri Krishna twam gatirmama, meaning Shri Krishna thou art my refuge. The initiate then offers at least half a rupee to the acharya, who adorns a kanthi thread around the initiate's neck.
Om Jai Jagdish Hare (Hindi: ॐ जय जगदीश हरे) is a Hindu religious song written by Shardha Ram Phillauri. [1] It is a Hindi-language composition dedicated to the deity Vishnu, popularly sung during the ritual of arti.
Thou art the peer of Soma, yea, thou art the equal of the Sun, The peer of all the Gods art thou: therefore we call thee hitherward. I am the speaker here, not thou: speak thou where the assembly meets. Thou shalt be mine and only mine, and never mention other dames. If thou art far away beyond the rivers, far away from men,
Mahakali is most often depicted in blue/black complexion in popular Indian art. Her most common four armed iconographic image shows each hand carrying variously a crescent-shaped khadha, khatval sword , a trishul (trident), a severed head of a demon and a bowl or skull-cup ( kapala ) catching the blood of the severed head.
In A Shrine for Tibet, Marylin M. Rhie and Robert A. F. Thurman assert that the depiction of the Refuge Assembly in the form of a tree "developed from the ancient tradition of the Buddha being born under an ashoka tree, attaining enlightenment under a pipal or Bodhi Tree, and passing away from his coarse material body under two sal trees". [3]
This "I love you, Mom" card from My Free Printable Cards has a cute crossword-style message on a pink and white pinstripe background. Related: 15 Seriously Sweet Valentine's Day Cupcakes We Love 11.
Earlier, in 1915, after Tagore was awarded the Nobel Literature Prize, George V had conferred a knighthood on him, which he renounced in 1919 in protest over the Jallianwala Bagh massacre; writing a letter addressed to the viceroy of India Lord Chelmsford: "The time has come when badges of honour make our shame glaring in their incongruous ...
Murray Krieger offers a different view of the contract theory seen within Sonnet 87. In his analysis, he focuses his attention on the use of the word "dear" within the first line. He notes that the reader's initial deduction of the word "dear" implies the idea of affection.