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Typical headstock inlay. Beyond the fretboard inlay, the headstock and sound hole are also commonly inlaid. The manufacturer's logo is commonly inlaid into the headstock and pickguard, if present. Sometimes a small design such as a bird or other character or an abstract shape also accompanies the logo.
This guitar is now available in reissues from Gibson's main line or custom shop. The headstock has a split-diamond inlay rather than the smaller crown inlay on the 335/345, in addition to a multiple-layered binding. The fingerboard inlays are inlaid mother-of-pearl blocks, beginning at the first position of the fretboard.
The guitar is a through-neck construction with a maple body and mahogany neck with rosewood fretboard. Most variants feature a mahogany veneered headstock (with the exception of a white w/ black stripe model featuring white headstock and a black w/ black stripe featuring a black headstock), and cream binding on the body and fretboard.
The typical locations for inlay are on the fretboard, headstock, and on acoustic guitars around the soundhole, known as the rosette. Inlays range from simple plastic dots on the fretboard to intricate works of art covering the entire exterior surface of a guitar (front and back).
He requested a black guitar as he wanted it to "look like a tuxedo". Nicknamed the Black Beauty, [1] the guitar had a mahogany body and neck, ebony fret board, and mother of pearl block inlays on the fret board. The "Split Diamond" inlay on the headstock was taken from the carved archtop Super 400, [2] which was the top
Standard with dot inlays and BurstBucker humbuckers, as well as optional Bigsby vibrato [19] Standard P-90 with trapezoid inlays and P-90 pickups [20] Custom with humbuckers, block inlays and split diamond headstock inlay, like an ES-355 [21] Kalamazoo, with appointments referencing the Byrdland [22] Signature Bass [23]