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Salò, or the 120 Days of Sodom (Italian: Salò o le 120 giornate di Sodoma), billed on-screen as Pasolini's 120 Days of Sodom on English-language prints [3] and commonly referred to as simply Salò (Italian:), is a 1975 political art horror film directed and co-written by Pier Paolo Pasolini.
The modern, ruined Château de Lacoste. The 120 Days of Sodom is set near the end of the reign of Louis XIV. [6] Four wealthy libertines—the Duc de Blangis (representing the nobility), the Bishop of X*** (representing the clergy), the Président de Curval (representing the legal system), and Durcet (representing high finance) [7] —lock themselves in an isolated castle, the Château de ...
Pier Paolo Pasolini (Italian: [ˈpjɛr ˈpaːolo pazoˈliːni]; 5 March 1922 – 2 November 1975) was an Italian poet, film director, writer, actor and playwright.He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure.
1975–1992 Salò, or the 120 Days of Sodom: Banned on its initial release, [8] but lifted after seventeen years. [25] 1976–2000 In the Realm of the Senses: Banned because of obscenity, though a censored version was made available in 1977. Only in 2000 did it finally become available in its complete cut. [26] [27] 2003 Ken Park
Sodom and Gomorrah: The Last Seven Days is a 1975 pornographic film directed and produced by the Mitchell brothers, [1] [2] set in biblical times. [3] It is loosely based on the biblical Sodom and Gomorrah , with a subplot where extraterrestrial aliens observe Earth. [ 3 ]
The cat (Martha Stewart’s fitness routine) is out of the bag. The lifestyle mogul recently had a chat with Pamela Anderson for Elle and let slip that she does Pilates three mornings a week.. The ...
Title Director(s) Cast Country Notes Ref. Autopsy: Armando Crispino: Barry Primus, Mimsy Farmer, Ray Lovelock: Italy [1]The Bedevilled: Lo Wei: O Chun Hung, Reiko Ike, James Tien ...
Pier Paolo Pasolini's 1975 film Salò, or the 120 Days of Sodom is an adaptation of Marquis de Sade's The 120 Days of Sodom, set in the Republic of Salò instead of 18th-century France. It uses the source material as an allegory ; the atrocities in the movie did not actually happen, while most of the choices of milieus, clothing, uniforms ...