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The modern, ruined Château de Lacoste. The 120 Days of Sodom is set near the end of the reign of Louis XIV. [6] Four wealthy libertines—the Duc de Blangis (representing the nobility), the Bishop of X*** (representing the clergy), the Président de Curval (representing the legal system), and Durcet (representing high finance) [7] —lock themselves in an isolated castle, the Château de ...
Salò, or the 120 Days of Sodom (Italian: Salò o le 120 giornate di Sodoma), billed on-screen as Pasolini's 120 Days of Sodom on English-language prints [3] and commonly referred to as simply Salò (Italian:), is a 1975 political art horror film directed and co-written by Pier Paolo Pasolini.
His final work, Salò o le 120 giornate di Sodoma (Salò, or the 120 Days of Sodom, 1975), exceeded what most viewers could accept at the time in its explicit scenes of sexual perversity and intensely sadistic violence. Based on the novel 120 Days of Sodom by Marquis de Sade, it is considered Pasolini
From Wikipedia, the free encyclopedia. Redirect page. Redirect to: Salò, or the 120 Days of Sodom; This page is a redirect. ... Salo, or the 120 Days of Sodom.
Franco Merli (born 31 October 1956) is an Italian actor, who is best known for his role in Salò, or the 120 Days of Sodom. Early life Very little is known about ...
In the summer of 1782, he drafted Dialogue between a Priest and a Dying Man and began working on The 120 Days of Sodom. Vincennes prison was closed in February 1784 and Sade was transferred to the Bastille, where he produced a fair copy of The 120 Days of Sodom, which many critics consider his first major work.
Aldo Valletti was born 1930 in Rome. His first appearance in cinema, not credited, dates back to 1956, in Poor, But Handsome by Dino Risi. [2]After numerous uncredited and minor roles, in 1975, he was chosen by Pasolini to appear in the film Salò, or the 120 Days of Sodom, [3] in which he was dubbed by Marco Bellocchio. [4]
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