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Slash notation in 4/4 with a slash on each beat under a i7 iv7-V7 chord progression in B ♭ minor. Slash notation is a form of purposefully vague musical notation which indicates or requires that an accompaniment player or players improvise their own rhythm pattern or comp according to the chord symbol given above the staff.
4–3–2–1 formation. The 4–3–2–1, commonly described as the "Christmas tree" formation, has another forward brought on for a midfielder to play "in the hole", so leaving two forwards slightly behind the most forward striker. Terry Venables and Christian Gross used this formation during their time in charge of Tottenham Hotspur.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In jazz harmony, a So What chord is a particular 5-note chord voicing. From the bottom note upwards, it consists of three perfect fourth intervals followed by a major third interval. It was employed by Bill Evans in the "'amen' response figure" [1] to the head of the Miles Davis tune "So What". For example, an "E minor" So What chord is an Em ...
2 is mostly used as an extra note in a chord (e.g., add2, sus2). 3 is the minor or major quality of the chord and is rarely written as a number. 4 is mostly used as an extra note in a chord (e.g., add4, sus4). 5 is the (perfect) fifth of the chord and is only written as a number when altered (e.g., F7 (♭ 5)).
For instance, the role of an inside forward in variants of a 5–3–2 formation has many parallels to that of an attacking midfielder, although the positions are nonetheless distinct. [2] Similarly, a 5–3–2 centre half can in many ways be compared to a holding midfielder in a 4–1–3–2. [3] In many cases, multiple terms exist for the ...