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"The White Man's Burden" was first published in The New York Sun on February 1, 1899 and in The Times (London) on February 4, 1899. [7] On 7 February 1899, during senatorial debate to decide if the US should retain control of the Philippine Islands and the ten million Filipinos conquered from the Spanish Empire, Senator Benjamin Tillman read aloud the first, the fourth, and the fifth stanzas ...
Kipling had composed "The White Man's Burden" for Victoria's jubilee, but replaced it with "Recessional". "Burden", which became better known, was published two years later, and was modified to fit the theme of American expansion after the Spanish–American War. [6] Kipling included the poem in his 1903 collection The Five Nations.
Debits and Credits is a 1926 collection of fourteen stories, nineteen poems, and two scenes from a play by Rudyard Kipling, an English writer who wrote extensively about British colonialism in India and Burma. Four of the poems that accompany the stories are whimsically presented as translations from the "Bk.
Joseph Rudyard Kipling (/ ˈ r ʌ d j ər d / RUD-yərd; 30 December 1865 – 18 January 1936) [1] was an English journalist, novelist, poet, and short-story writer. He was born in British India, which inspired much of his work.
(Barrack-Room Ballads and Other Verses has an introductory poem ("To T.A.") in Kipling's own voice, which is strictly not part of the set but is often collected with them.) A third group of poems, published in 1903 in The Five Nations , continued the theme of military vernacular ballads; while they were titled "Service Songs", they fit well ...
Posthumous collections of Kipling's poems include: Rudyard Kipling’s Verse: Definitive Edition. A Choice of Kipling's Verse, edited by T. S. Eliot (Faber and Faber, 1941). Early verse by Rudyard Kipling, 1879–1889 : unpublished, uncollected, and rarely collected poems, Oxford : Clarendon Press, 1986. The Surprising Mr Kipling, edited by ...
Additionally, several poems were published: Gertrude's Prayer; Dinah in Heaven; Four-Feet; The Totem; The Disciple; The Playmate; Naaman's Song; The Mother's Son; The Coiner; At his Execution; The Threshold; Neighbours; The Expert; The Curé; Song of Seventy Horses; Hymn to Physical Pain; The Penalty; Azrael's Count
He asserted that for Kipling neither form could be judged individually, and that he was the inventor of a mixed form. 5 He called Kipling a ballad-maker, someone whose poems could be understood at first hearing, so that his poems had to be defended against the charge of excessive lucidity, not that of obscurity; and against the charge of being ...