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This is a non-diffusing subcategory of Category:18th-century German people. It includes German people that can also be found in the parent category, or in diffusing subcategories of the parent. Subcategories
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
It includes German painters that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "18th-century German women painters" The following 32 pages are in this category, out of 32 total.
Johanna Helena Herolt (1 May 1668 – after 1723) was an 18th-century botanical artist from Germany. She was well-known for her paintings similar to her mother, Maria Sibylla Merian, with her draftsmanship.
This is a non-diffusing subcategory of Category:18th-century German artists. It includes German artists that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:18th-century German male artists
This is a non-diffusing parent category of Category:18th-century German male artists and Category:18th-century German women artists The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
Amalia von Schattenhofer, born Amalia Schweinhammer-Baader (1763–1840) was a German art collector and amateur painter.. Born in Erding to a physician, Georg Schewinhammer, who died when she was eight, Amalie was adopted by her stepfather, Ferdinand Maria Baader, whom her mother soon married, and whose name she took.
Sabina Aufenwerth or Auffenwerth (1706-1782), [1] was a German painter. She was one of the first named women in Europe working alongside male counterpart within ceramic design and decoration. However, before the 19th century, many women were under-acknowledged for their contribution to pottery and therefore a lot of her work is unknown.