Search results
Results From The WOW.Com Content Network
On the Pathos of Truth" (German: Über das Pathos der Wahrheit) is a short essay by Friedrich Nietzsche concerning the motivation of philosophers to seek knowledge as an end in itself. Nietzsche identifies this motivation with pride. [1] On this point the essay prefigures theories concerning a destructive "will to truth" that Nietzsche ...
Nietzsche argues that more than what they value as "good" distinguishes noble and base. Even where agreement exists over what is good, what men consider a sufficient sign of possessing what is good differs (§ 194). Nietzsche describes love as the desire to possess a woman. The most unrefined form of the desire is also the most readily ...
Master–slave morality (German: Herren- und Sklavenmoral) is a central theme of Friedrich Nietzsche's works, particularly in the first essay of his book On the Genealogy of Morality. Nietzsche argues that there are two fundamental types of morality : "master morality" and "slave morality", which correspond, respectively, to the dichotomies of ...
This should be borne in mind when Nietzsche's terminology is used in the following. After an introduction in which Nietzsche shares his personal motivation for writing the book, the first chapter examines the origin of "history". The animal lives only in the present - with a modest degree of happiness - and is therefore unhistorical. Humans, in ...
Elisabeth Förster-Nietzsche compiled The Will to Power from Nietzsche's unpublished notebooks and published it posthumously in 1901. Because his sister arranged the book based on her own conflation of several of Nietzsche's early outlines and took liberties with the material, the scholarly consensus has been that it does not reflect Nietzsche ...
Continental philosophy is an umbrella term for philosophies prominent in continental Europe. [1] [page needed] Michael E. Rosen has ventured to identify common themes that typically characterize continental philosophy. [2]
Nietzsche here began to discuss the limitations of empirical knowledge, and presented what would appear compressed in later aphorisms. It combines the naivete of The Birth of Tragedy with the beginnings of his more mature polemical style. It was Nietzsche's most humorous work, especially for the essay "David Strauss: the confessor and the writer."
In his works, Nietzsche makes a number of statements on perspective which at times contrast each other throughout the development of his philosophy. Nietzsche's perspectivism begins by challenging the underlying notions of 'viewing from nowhere', 'viewing from everywhere', and 'viewing without interpreting' as being absurdities. [22]