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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
For instance, for proper security a sidelight should only be installed on the side of the door without the door knob or handle. [7] Sidelights provide people on a building's interior with a narrow view of the outdoors and as such doors without sidelights, especially in apartment buildings, should be equipped with a peephole. [7]
All three represent distinctly Dutch (Netherlands-German) styles using "H-frame" for construction, wood clapboard, large rooms, double hung windows, off set front entry doors, sharply sloped roofs, and large "open" fireplaces. Often there is a hipped roof, or curved eves, but not always. Barns in the Dutch-German fashion share the same attributes.
This category is intended for articles concerning architects, styles and buildings of the 20th century modernist architecture (i.e. high modernism in architecture). It includes the Bauhaus, Mid-Century Modern, International style, Brutalism, and other regional expressions.
The central front entrance door is flanked by large bay windows with double-hung timber sashes of many small panes. The entry door is timber with six panels and bolection moulding, sidelights, a semi-circular fanlight, and moulded timber architrave. [1]
Mrs. Brooke loved flowers, and the house was decorated with examples in wood, stone, glass and iron. The leaded glass panels of the front doors, sidelights and fanlight were crowded with stylized plant forms. [37] The screen between the vestibule and hall featured seven wrought iron window grilles in the form of abstracted sunflowers. [38]