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The original text is presented here with the medieval and 19th-century Icelandic versions. The third column features a rough, literal translation into English, while the fourth column is a looser translation regularized to a metrical pattern of 5.5.5.5.5.5.5.5 and stating all first-person pronouns in the singular.
Hyfrydol has been used as a setting for William Chatterton Dix's hymn "Alleluia! Sing to Jesus", Charles Wesley's "Love Divine, All Loves Excelling" and "Come, Thou Long Expected Jesus", Francis Harold Rowley's "I Will Sing the Wondrous Story" (1886), John Wilbur Chapman's "Our Great Savior (Jesus What A Friend of Sinners)" (1910) and Philip Bliss's "I Will Sing of My Redeemer" (1876), the ...
William Cowper (/ ˈ k uː p ər / KOO-pər; 15 November 1731 [2] / 26 November 1731 – 14 April 1800 [2] / 25 April 1800 ()) was an English poet and Anglican hymnwriter.. One of the most popular poets of his time, Cowper changed the direction of 18th-century nature poetry by writing of everyday life and scenes of the English countryside.
The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". [2] A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of ...
As you sleep there's naught to scare you, Naught to wake you from your rest; Close those eyelids, little angel, Sleep upon your mother's breast. Sleep, my darling, night is falling Rest in slumber sound and deep; I would know why you are smiling, Smiling sweetly as you sleep! Do you see the angels smiling As they see your rosy rest,
Chant notation of the "Regina caeli" antiphon in simple tone "Regina caeli" (Ecclesiastical Latin: [reˈdʒina ˈtʃeli]; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost.
The words and music of this beautiful hymn were first published in a monthly entitled Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and ...
Phos Hilaron is to be sung at the lighting of lamps in the evening and so is sometimes known as the “Lamp-lighting Hymn”. Despite some of the words to the other three songs being from Scripture or in one case dated to around 150, Phos Hilaron is the first to be considered an actual hymn in the modern sense.