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Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
The final 16 mm camera was the Kodak Reflex Special, released in 1961, dropping the Ciné-Kodak brand altogether; Kodak ceased production of 16 mm cameras in 1968, but continued to produce 8 mm and Super 8 film cameras under the Ektasound and Instamatic brands.
Ciné-Kodak Kodachrome 8mm movie film (expired May 1946) Kodachrome was first sold in 1935 as 16 mm movie film with an ASA speed of 10 [20] [21] and the following year it was made available as 8mm movie film, and in 135 and 828 formats for still cameras. [22] In 1961, Kodak released Kodachrome II with sharper images and faster speeds at 25 ASA ...
In color film, this backing is "rem-jet", a black-pigmented, non-gelatin layer which is removed in the developing process. [32] Eastman Kodak manufactures film in 54-inch (1,372 mm) wide rolls. These rolls are then slit into various sizes (70 mm, 65 mm, 35 mm, 16 mm) as needed.
Motion Picture camera films are produced in 8mm, 16mm and 35mm. In addition to Camera films listed below a number of motion picture technical stocks are also produced e.g. inter-negatives, duplication sound and final print films, together with the process chemicals. [172] Camera Films Black & White Negative Stock Kodak Double X 5222/7222
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