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The whistle's fingering system is similar to that of the six-hole, "simple system Irish flutes" ("simple" in comparison to Boehm system flutes). The six-hole, diatonic system is also used on baroque flutes, and was of course well-known before Robert Clarke began producing his tin whistles. Clarke's first whistle, the Meg, was pitched in high A ...
It originated in central Slovakia as a sophisticated folk shepherd's overtone fipple flute of unique design in the contrabass range. Ranging from 160 to 200 cm long (5'3" – 6'6") [2] and tuned in A, G, or F. It has three tone holes (also called finger holes) located on the lower part of the main body.
Like the Irish flute and the tin whistle, the ancient fife is a six-hole simple system flute. These flutes are unable to play all chromatic pitches, while many of the chromatic pitches which they can play are grossly out of tune.
A recorder designed for German fingering has a hole five that is smaller than hole four, whereas baroque and neo-baroque recorders have a hole four that is smaller than hole five. The immediate difference in fingering is for F (soprano) or B ♭ (alto), which on a neo-baroque instrument must be fingered 0 123 4–67.
By the end of the 1970s, artists Đinh Thìn and Ngo Nam modernized the sáo by making this 6-finger-hole flute into 10-finger-hole flute, extending its register. [1] Examples of the difference between the two variations of the flute can be heard in Đinh Thìn's "Tiếng gọi mùa xuân" and Mão Mèo's performance of "tình xưa nghĩa cũ".
A rim-blown, oblique flute made of giant reed (Arundo donax), the Turkish ney has six finger-holes on the front and a high-set thumb-hole on the back.The thumb hole is not centered but rather is angled to the left or right depending on whether the instrument was intended to be played with the left or right hand on top.
The txistu (Basque pronunciation: [ˈtʃis̺tu]) is a kind of fipple flute that became a symbol for the Basque folk revival. The name may stem from the general Basque word ziztu "to whistle" with palatalisation of the z (cf zalaparta > txalaparta). This three-hole pipe can be played with one hand, leaving the other one free to play a percussion ...
It is an aerophone produced from bamboo and metal like material used in many Indian and Nepali Lok songs. A bansuri is traditionally made from a single hollow shaft of bamboo with seven finger holes. Some modern designs come in ivory, fiberglass and various metals. The six hole instrument covers two and a half octaves of music.