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  2. Woodland Sketches - Wikipedia

    en.wikipedia.org/wiki/Woodland_Sketches

    Edward MacDowell c. 1902. Woodland Sketches, Op. 51, is a suite of ten short piano pieces by the American composer Edward MacDowell.It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscape.

  3. Sports et divertissements - Wikipedia

    en.wikipedia.org/wiki/Sports_et_divertissements

    Sports et divertissements (Sports and Pastimes) is a cycle of 21 short piano pieces composed in 1914 by Erik Satie. The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements. [1] [2] [3]

  4. Tarantelle (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Tarantelle_(Chopin)

    The Tarantella in A-flat major, Op. 43 is a short piano piece in tarantella form, written by Frédéric Chopin in June 1841 and published in October 1841. [1] It takes about 3 minutes to play. [2] It is a moto perpetuo marked Presto, and requires an advanced technique.

  5. Glossary of music terminology - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_music_terminology

    piano (p) Gently (i.e. played or sung softly) (see dynamics) piano-vocal score The same as a vocal score, a piano arrangement along with the vocal parts of an opera, cantata, or similar Picardy third A Picardy third, Picardy cadence (ˈpɪkərdi ) or, in French, tierce picarde is a harmonic device used in Western classical music. It refers to ...

  6. Musical phrasing - Wikipedia

    en.wikipedia.org/wiki/Musical_phrasing

    According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:

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