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Theodore Herman Albert Dreiser (/ ˈ d r aɪ s ər,-z ər /; [1] August 27, 1871 – December 28, 1945) was an American novelist and journalist of the naturalist school. His novels often featured main characters who succeeded at their objectives despite a lack of a firm moral code, and literary situations that more closely resemble studies of nature than tales of choice and agency. [2]
Six essays and one play had already been published in newspapers prior to this collection. [1]Keith Newlin has argued that Hey Rub-a-Dub-Dub follows in the wake of Dreiser's attempts at philosophy, which he had started in his 1916 book called Plays of the Natural and Supernatural and ended with Notes on Life, published posthumously in 1974.
H.L. Mencken wrote to Dreiser of his thought that Jennie was informed by the eponymous character in Thomas Hardy's Tess of the d'Urbervilles; Dreiser confirmed his insight. [ 4 ] Based on discovered material that had been removed to avoid censorship, a new edition of Jennie Gerhardt , including restored text, was published in the 1990s.
Her mother was an assistant editor on The Delineator in 1909 when Theodore Dreiser was managing editor. [1] Dreiser became infatuated with Thelma, but her mother was strongly opposed to Dreiser's involvement with her daughter, which was platonic, because Dreiser was married and 20 years her senior.
A long article, "Theodore Dreiser: a personal memoir" was based on Cohen’s long time friendship and appeared in Discovery 4. It was later republished and translated in other languages. "The Man Who Laughed Too Much" with Arnold Gingrich, Esquire Magazine. "Apply Kaliades or The Man Who Made a Deal", in Esquire, June 1956.
It was based on a biographical essay, sometimes erroneously referred to as a book, by Dresser's younger brother, novelist Theodore Dreiser (Dreiser was the original German family name). Some of the songs portrayed as Dresser's work were actually written by him, but several others were created in the 1890s style for the film by the Hollywood ...
John Paul Dreiser, Theodore Dreiser's father, was a German immigrant and the model for old Rogaum. Theresa's love of the city matches Theodore's love and experiences of a large city. The experience of Theresa going off with the young man Almerting is the same as Theodore's sisters', Sylvia and Emma, when they went off with some young men in ...
H. L. Mencken, an avid supporter and friend, referred to Dreiser as "a man of large originality, of profound feeling, and of unshakable courage". [10] Mencken believed that Dreiser's raw, honest portrayal of Carrie's life should be seen as a courageous attempt to give the reader a realistic view of the life of women in the 19th century. [16]