Ad
related to: rolling stone covers history of music
Search results
Results From The WOW.Com Content Network
The United States cover of Rolling Stone magazine has featured various celebrities. Many are musicians, but politicians, actors, comedians, sports figures, and fictional characters are also sometimes included. [1]
Rolling Stone Coverwall 1967-2013 Archived 2018-07-01 at the Wayback Machine; Rolling Stone: 1,000 Covers: A History of the Most Influential Magazine in Pop Culture, New York, NY: Abrams, 2006. ISBN 0-8109-5865-1; Rolling Stone: 50 Years of Covers: A History of the Most Influential Magazine in Pop Culture, New York, NY: Abrams, 2018.
This is a list of people (real or fictional) appearing on the cover of Rolling Stone magazine in the 2010s. This list is for the regular biweekly, and later monthly, issues of the magazine, including variant covers, and does not include special issues. Issue numbers that include a slash (XXX/YYY) are combined double issues.
Grammy-nominated reggaeton singer Bad Bunny made history on Thursday by becoming the first Latin urban music artist to grace the cover of Rolling Stone magazine. Rolling Stone's Latin music editor ...
As author Wenner speaks with Yahoo Entertainment for our Under the Covers series, the conversation naturally turns to Rolling Stone’s most iconic — and most infamous — covers themselves.
Kristen Stewart has defended her new Rolling Stone magazine cover after it divided fans’ opinions.. The 33-year-old actor features on the front of the March edition of the US music and culture ...
This is a list of people (real or fictional) appearing on the cover of Rolling Stone magazine in the 1980s. This list is for the regular biweekly issues of the magazine, including variant covers, and does not include special issues. Issue numbers that include a slash (XXX/YYY) are combined double issues.
From left to right: Dennis Locorriere, Billy Francis, and Ray Sawyer of Dr. Hook & the Medicine Show on the March 29, 1973 cover of Rolling Stone in caricature. [3]The song satirizes success in the music business; the narrator laments that his band, despite having the superficial attributes of successful rock stars (including drug use, "teenage groupies, who'll do anything we say," and a ...