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Dutch gable, gablet: A hybrid of hipped and gable with the gable (wall) at the top and hipped lower down; i.e. the opposite arrangement to the half-hipped roof. Overhanging eaves forming shelter around the building are a consequence where the gable wall is in line with the other walls of the buildings; i.e., unless the upper gable is recessed.
Eaves overhang, shown here with a bracket system of modillions. The eaves are the edges of the roof which overhang the face of a wall and, normally, project beyond the side of a building. The eaves form an overhang to throw water clear of the walls and may be highly decorated as part of an architectural style, such as the Chinese dougong ...
House with Dutch gable roof in Schleswig-Holstein, Germany. A Dutch gable roof or gablet roof (in Britain) is a roof with a small gable at the top of a hip roof. The term Dutch gable is also used to mean a gable with parapets. Some sources refer to this as a gable-on-hip roof. [1] Dutch gable roof works of Padmanabhapuram Palace in India
Overhang on 16th century Tomb of Salim Chishti, Fatehpur Sikri, India In architecture , an overhang is a protruding structure that may provide protection for lower levels. Overhangs on two sides of Pennsylvania Dutch barns protect doors, windows, and other lower-level structures.
Roll formed metal fascias (the horizontally oriented metallic surface, with two "lines" along it, that is just below the corrugated roof edge, which overhangs the fascias by a few inches) on a house in Northern Australia. Portable roll forming machines make it possible to create long lengths on the building site, thus reducing joints.
The gable end roof is a poor design for hurricane or tornado-prone regions. Winds blowing against the gable end can exert tremendous pressure, both on the gable and on the roof edges where they overhang it, causing the roof to peel off and the gable to cave in. [4] [5]
Awnings were first used by the ancient Egyptian and Syrian civilizations. They are described as "woven mats" that shaded market stalls and homes. A Roman poet Lucretius, in 50 BC, said "Linen-awning, stretched, over mighty theatres, gives forth at times, a cracking roar, when much 'tis beaten about, betwixt the poles and cross-beams".
Greek temples, normally rectangular in plan, generally had a pediment at each end, but Roman temples, and subsequent revivals, often had only one, in both cases across the whole width of the main front or facade. The rear of the typical Roman temple was a blank wall, usually without columns, but often a full pediment above.