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Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
The term and themes are borrowed from the art term arabesque, rather than stemming from Arabic music. [ 2 ] [ 3 ] [ 4 ] It is a highly ornamented style. The name has origins in the middle of the seventeenth century, it is derived from the Italian word "arabesco," which is translated to "in Arabic style," from the noun "arabo."
In dance (particularly ballet), arabesque (French: [aʁabɛsk]; literally, "in Arabic fashion") is a body position in which a dancer stands on one leg (the supporting leg) with the other leg (the working leg) extended, straight, behind the body.
From the earliest ballets up to the time of Jean-Baptiste Lully (1632–1687), ballet music was indistinguishable from ballroom dance music. Lully created a style that was separate, wherein the music told a story. The first ballet d'action was staged in 1717. The Loves of Mars and Venus was a story told without words.
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The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Arabesque is a form of artistic decoration consisting of plant tendrils, leaves and flowers, very common in Islamic art. It may also refer to: It may also refer to: Ballet
The second arabesque in G major is noticeably quicker and more lively in tempo. It opens with left hand chords and right hand trills. The piece makes several transpositions and explores a lower register of the piano. Again notable is a hint of the pentatonic scale. It closes in a similar fashion to the first arabesque.