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Giasone was the most popular opera of the 17th century. [7] 1651 La Calisto (Cavalli). Ninth of the eleven operas that Cavalli wrote with Faustini is noted for its satire of the deities of classical mythology. [8] 1683 Dido and Aeneas (Henry Purcell). Often considered to be the first genuine English-language operatic masterwork.
Giacomo Puccini (1858–1924) The only true successor to Giuseppe Verdi in Italian opera, [50] Puccini's Tosca, La bohème and Madama Butterfly are among the most popular and well-recognised in the repertoire today. Gustave Charpentier (1860–1956) French composer famous for a single opera, Louise, set in a working class district of Paris. [51]
The following is a list of operas and operettas with entries in Wikipedia. The entries are sorted alphabetically by title, with the name of the composer and the year of the first performance also given. For a list of operas sorted by name of composer, see List of operas by composer.
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Lists of operas cover operas, a form of theatre in which music is essential, and the roles are portrayed by singers. There are general lists and lists by theme, country, medium and venue. There are general lists and lists by theme, country, medium and venue.
Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his "reform" operas in the 1760s. The most renowned figure of late 18th-century opera is Wolfgang Amadeus Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage ...
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Mozart's texts came from a variety of sources, and the early operas were often adaptations of existing works. [b] The first librettist chosen by Mozart himself appears to have been Giambattista Varesco, for Idomeneo in 1781. [9] Five years later, he began his most enduring collaboration, with Lorenzo Da Ponte, his "true phoenix". [10]