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The Elephant Man is a 1982 American biographical television film directed by Jack Hofsiss loosely based on the 19th-century Englishman Joseph Merrick (known in this film as John Merrick). The script was adapted by Steve Lawson from the 1977 play of the same name by Bernard Pomerance.
The Elephant Man is a 1980 biographical drama film loosely based on the life of Joseph Merrick (referred to as "John" in the film), a severely deformed man who lived in London in the late 19th century.
The Elephant Man is a 1980 American drama film based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London. The film was directed by David Lynch and stars John Hurt, Anthony Hopkins, Anne Bancroft, John Gielgud, Wendy Hiller, Michael Elphick, Hannah Gordon, and Freddie Jones.
After four years in the workhouse, Merrick contacted a showman who agreed to exhibit him as the "Elephant Man". While on display in a penny gaff shop in London, Merrick met a surgeon named Frederick Treves who invited Merrick to the London hospital to be examined. Soon after, Merrick's exhibition was shut down by the police and Merrick ...
Joseph Carey Merrick was born on 5 August 1862, at 50 Lee Street in Leicester, to Joseph Rockley Merrick and his wife Mary Jane (née Potterton). [8] Joseph Rockley Merrick (c. 1838 –1897) was the son of London-born weaver Barnabas Merrick (1791–1856) who moved to Leicester during the 1820s or 1830s, and his third wife Sarah Rockley. [9]
The Elephant Man opens with Frederick Treves, an up-and-coming surgeon, meeting his new employer Francis Carr-Gomm, the administrator of the London Hospital.. Ross, the manager of a freak show, invites a crowd on Whitechapel Road to come view John Merrick, the Elephant Man. Treves happens upon the freak show and is intrigued by Merrick's disorder.
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Tom Norman, born Thomas Noakes (7 May 1860 – 24 August 1930), was an English businessman, showman and the last exhibitor of Joseph Merrick who was otherwise known as the "Elephant Man". Among his later exhibits were a troupe of little people, a "Man in a Trance", "John Chambers, the armless Carpenter", and the "World's Ugliest Woman".