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The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming at regular intervals (e.g. in iambic pentameters, usually every even-numbered syllable).
If one counted all syllables, not just stressed syllables, such hymns follow what is called an 86.86 pattern, with lines of eight syllables alternating with lines of six syllables. This form is also known as common metre. By contrast most hymns in an 87.87 pattern are trochaic, with strong-weak syllable pairs: Love divine, all loves excelling,
Doggerel: a bad verse, traditionally characterized by clichés, clumsiness, and irregular meter. Free verse and vers libre: an open form of poetry that does not use consistent of meter patterns, rhyme, or any musical pattern, therefore tending to follow the rhythm of natural speech. Knittelvers; Heroic verse
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables. It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters. In iambic and trochaic meters, either the first or the second half of the metrical foot ...
In English poetry, it refers to a meter with three iambic feet. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic metra. Each metron consists of the pattern | x – u – |, where "–" represents a long syllable, "u" a short one, and "x" an anceps (either long or short).
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
Syllables which end in a short vowel, like the first syllable of Greek πα-τήρ or Latin pa-ter ' father ', are treated as short; syllables which contain a long vowel or diphthong, or which ended with a consonant, like the first syllable of Rō-ma ' Rome ', sae-pe ' often ', or stul-tus ' foolish ', were treated as long.
Words that have one syllable will be stressed determined by whether their function is cognitive or grammatical. Words that have more than one syllable are called multisyllabic words. Two-syllable words typically have one stressed and one unstressed syllable. However, many words in the English language have three or more syllables.