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The song was also recorded by Spade Cooley & his Fiddlin' Friends (DECCA 9–46310) with a vocal by Ginny Jackson, [3] [4] and released in March 1951. [ 5 ] References
The song was covered by American country artist Reba McEntire for a tribute to Lynn in 2010 entitled Coal Miner's Daughter: A Tribute to Loretta Lynn. [5] "If You're Not Gone Too Long" reached number seven on the Billboard Hot Country Singles survey in 1967. The song became her tenth top ten single under the Decca recording label.
"I'll Be There (If You Ever Want Me)"' is a song co-written and originally released as a single by American country artist Ray Price.After becoming a major country hit in 1954, the song has been covered by numerous artists such as Cowboy Copas, Elvis Presley, Connie Smith, Johnny Bush, George Jones and Tammy Wynette, Ronnie Milsap, Heather Myles, Martina McBride, Sam Palladio, Don White & Eric ...
See all the old country songs (and more modern melodies that are legends in the making) that made our playlist. ... From Hank Williams and Johnny Cash to Dolly Parton and Garth Brooks, here are ...
Bill Monroe performed the song for his November 25, 1939 debut on the Grand Ole Opry. The performance can be found on the MCA compilation Music of Bill Monroe From 1936-1994 (1994). [4] [5] 1940s. The song was Monroe's first solo studio recording. Recorded on October 7, 1940, for RCA Victor, the song became a hit and one of Monroe's signature ...
"A Poor Man's Roses (or a Rich Man's Gold)" is a song was written by Bob Hilliard (lyricist) and Milton De Lugg (composer). [2] The song was popularized by both Patsy Cline [3] and Patti Page in 1957. Cline rerecorded the song with a string arrangement and in stereo, in 1961. Page recorded the song again in 1981.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Brian Mansfield, writing for Variety, said that "With a guitar intro that recalls the Doobie Brothers' 'China Grove', the bracing title track marries Chesney’s classic-rock-infused country with his in-the-moment philosophy..Instead of ringing hollow, it might be the perfect motivational song for quarantine days — a high-energy number that ...