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El baile flamenco is known for its emotional intensity, proud carriage, expressive use of the arms and rhythmic stamping of the feet, unlike tap dance or Irish dance which use different techniques. As with any dance form, many different styles of flamenco have developed.
The original dance version is due to the Sevillian dancer Faíco who was accompanied by Ramón Montoya, who is said to have invented the typical farruca melody for the guitar. The success was thunderous and from then on many other dancers stylized and expanded this flamenco style, such as El Gato or Antonio Gades. [3]
flamenco dancer (male, female), as opposed to 'bailarin', which is any other dancer. baile flamenco dance; other (non-flamenco) types are referred to as 'danza' baile de mantón a dance with a shawl balanceo y vaivén swaying of the body and hips. Balanceo is gentle; vaiven is violent bamberas song form for swings bata de cola
One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when ...
Zambra (Spanish pronunciation:) (from Andalusi Arabic zamra, originally from classical Arabic zamr) is a style of flamenco dance, typical of the Roma of the provinces of Granada and Almería (Andalusia, Spain). It is believed that the zambra is a continuation of earlier Morisco styles of dance. It became typical during wedding ceremonies ...
Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the cante which is the heart and soul of the genre. A cante singer is a cantaor or cantaora. The cante flamenco is part of musical tradition in the Andalusian region of Spain.
Bolero is a Spanish dance in 3/4 time popular in the late 18th and early 19th centuries. It originated from the seguidilla sometime between 1750 and 1772, [ 2 ] and it became very popular in Madrid, La Mancha, Andalusia and Murcia in the 1780s.
Carmen Amaya (2 November 1918 – 19 November 1963) occasionally known by the stage name La Capitana, was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She is often hailed as "the greatest Flamenco dancer ever" [1] and "the most extraordinary personality of all time in flamenco dance."