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Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri. It was soon reprinted in the Kansas City Times and the Kansas City Bar Bulletin. [1]: 426 [2] Harner earned a degree in industrial journalism and clothing design at Kansas State University. [3] Several of her other poems were published and ...
However, he is today best remembered for one of his poems, "Dawn on the Irish Coast"[2] also known as the "Emigrants Anthem". The poem was set to music in 1896 by A A Needham and popularised in song by Harry Plunket Greene. It was inspired by a friend's account of a brief return visit to Ireland.
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
Irish writer Edna O’Brien’s “revolutionary intervention in Irish fiction” has been remembered during her funeral mass, which was attended by Ireland’s President Michael D Higgins ...
Eibhlín Dubh Ní Chonaill (also known as Eileen O'Connell, c. 1743 – c. 1800) was a member of the Irish gentry and a poet. She was the main composer of Caoineadh Airt Uí Laoghaire, a traditional lament in Irish described (in its written form) as the greatest poem composed in either Ireland or Britain during the eighteenth century.
It concerns the murder at Carraig an Ime, County Cork, of Art, at the hands of the Irish MP Abraham Morris, and the aftermath. It is one of the key texts in the corpus of Irish oral literature. The poem was composed extempore and follows the rhythmic and societal conventions associated with keening and the traditional Irish wake respectively.
"The Holland Handkerchief" – an Irish version of The Suffolk Miracle (Child #272), sung by County Leitrim singer Mary McPartlan, Connie Dover and others [62] [63] "I Am Stretched on Your Grave" – translation of a 17th-century Irish-language poem, "Táim Sínte ar do Thuama", first recorded by Philip King, later by Sinéad O'Connor. [64]
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