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The Blackmagic Cinema Camera (often simply the Cinema Camera or BMCC) is a digital movie camera developed and manufactured by Blackmagic Design and released on September 4, 2012. It is part of the Cinema Camera family of digital movie cameras and shoots 2.5K video in raw , Apple ProRes , CinemaDNG and Avid DNxHD formats.
Fujifilm FinePix X100. This is a list of large sensor fixed-lens cameras, also known as premium compact cameras or high-end point-and-shoot cameras.These are digital cameras with a non-interchangeable lens and a 1.0‑type (“1‑inch”) image sensor or larger, excluding smartphones and camcorders.
A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, known as film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions.
All Access: Front Row. Backstage. Live! 20 May 2001: Adrenaline Rush: The Science of Risk: 18 October 2002: Santa vs. the Snowman: 1 November 2002: 3D: Wired to Win: 1 January 2005: The Alps: 9 March 2007: Dinosaurs Alive! 30 March 2007: 3D: Sea Monsters: A Prehistoric Adventure: 5 October 2007: Wild Ocean: 18 March 2008: 3D: The Dark Knight ...
Astrodesign AH-4413 – released in 2012 and records at 3840×2160 (8.3 megapixels) [2] AXIOM is an open source hardware modular camera that allows users to swap sensors. For research and development the ams Sensors Belgium CMV12000 was used, which allows the camera to record up to 300 fps (10 bit), 132 fps (12 bit) at 4K Resolution [3]
The Micro Four Thirds system (MFT) of still and video cameras and lenses was released by Olympus and Panasonic in 2008; lenses built for MFT use a flange focal distance of 19.25 mm, covering an image sensor with dimensions 17.3 × 13.0 mm (21.6 mm diagonal).
Megapixels Camera examples 32 32 1:1. 1024 0.001 Cromemco Cyclops (1975) 100 100 1:1. 10,000 0.01 Kodak Prototype by Steven Sasson (1975) 320 240 76,800 0.07
Using a S35mm image plane, the Red One displays a natural depth of field from 2K to over 4K resolutions. [2] The first Red Ones were outfitted with the 12 megapixel Mysterium sensor, capable of capturing up to 120 frames per second at 2K resolution and 30 frames per second at 4K resolution. [3] The only possible acquisition format is Redcode Raw.