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Napalm Sticks to Kids" is a protest song that has seen life as both a published track and an informal military cadence. It originates from the Vietnam War , during which napalm —an incendiary gel —saw extensive use.
The song, in which Kim Gordon lists off the names of every model featured in the 1992 Sports Illustrated Swimsuit Issue, was selected as one of PopMatters's 65 greatest protest songs of all time with the praise that "Sonic Youth reminds us that protest songs don't have to include acoustic guitars and twee harmonica melodies stuck in 1965. They ...
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
Read on to learn some of the most relevant Black protest songs and their history. ... Brown tapped children from the Compton and Watts areas of Los Angeles, California, to join him in the song’s ...
Black recording artists have long been highlighting the perils of racism and police brutality through music, but recent events are brightening the spotlight on racial injustice and oppression.
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Alabama (John Coltrane song) All You Need Is Love (JAMs song) Alright (Kendrick Lamar song) Am I the Only One (Aaron Lewis song) America (Sufjan Stevens song) The American Dream Is Killing Me; American Jesus; American Skin (41 Shots) An American Trilogy; American Woman; Amerika (song) Anarchy in the U.K. And Sadness Will Sear; Another Brick in ...
"For What It's Worth (Stop, Hey What's That Sound)" (often referred to as simply "For What It's Worth") is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on December 5, 1966, released as a single on Atco Records in December 1966 and peaked at No. 7 on the Billboard Hot 100 chart in the spring of 1967. [8]