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Jos Alukkas is also known for pioneering the concept of "gold supermarkets," which are large-format stores featuring extensive collections of jewellery. Today, the Jos Alukkas Group, chaired by Jos Alukkas and managed by his sons Varghese Alukkas, Paul J. Alukkas, and John Alukkas, operates over 60 large-format jewellery showrooms across India ...
The design is chosen by the groom's family according to prevalent customs. Gujaratis and Marwaris from Rajasthan often use a diamond pendant in a gold chain which is merely ornamental in nature and is not a substitute to the mangala sutra in the traditional sense. Marathis of Maharashtra wear a pendant of two vati ornaments shaped like tiny bowls.
Kundan, meaning pure gold, [1] is a traditional form of Indian gemstone jewellery involving a gem set with a gold foil between the stones and its mount, usually for elaborate necklaces and other jewellery. [2] [3]
In conjunction with gold jewellery, Egyptians used coloured glass, along with semi-precious gems. The colour of the jewellery had significance. Green, for example, symbolised fertility. Lapis lazuli and silver had to be imported from beyond the country's borders. Egyptian designs were most common in Phoenician jewellery.
Valayal or Sarivu, bangles made up of plain gold or gold with stones or gems. Kaikappu, bangles without designs known as Kappu; Mothiram or Neli, finger ring. Vangi or Vanki, armband. Nagothu, Naga(snake) shape on vanki. Kanganam (armband) Tholvalai Kappu used in the shoulder to hold the sari. Nagar or Nagam, A cobra shaped ornament used the ...
The Gennadios medallion in New York, illustrated above, is a fine example of an Alexandrian portrait on blue glass, using a rather more complex technique and naturalistic style than most Roman examples, including painting onto the gold to create shading, and with the Greek inscription showing local dialect features.
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