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Sometimes gold, white or red beads are also added to the mangala sutra, depending on regional variation. The necklace serves as a visual marker of marital status. [2] The tying of the mangala sutra is a common practice in India, Sri Lanka, and Nepal. The idea of sacred thread existed for centuries, even going back to the Sangam period.
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In the olden days, the Mangalsutra was made of black glass beads strung on a thread made of the fibres of dried pineapple leaves. [206] The ordinary crude pattern of the pirduk was improved in the course of time. Later longish beads of gold were inserted between the black glass beads and a pendant was added.
Hindu woman in Kullu, Himachal Pradesh wearing a bindi. A bindi (from Sanskrit bindú meaning "point, drop, dot or small particle") [1] [2] is a coloured dot or, in modern times, a sticker worn on the centre of the forehead, originally by Hindus, Jains and Buddhists from the Indian subcontinent.
Valayal or Sarivu, bangles made up of plain gold or gold with stones or gems. Kaikappu, bangles without designs known as Kappu; Mothiram or Neli, finger ring. Vangi or Vanki, armband. Nagothu, Naga(snake) shape on vanki. Kanganam (armband) Tholvalai Kappu used in the shoulder to hold the sari. Nagar or Nagam, A cobra shaped ornament used the ...
Amil women wore glass, and gold bangles in the belief and hope that it would bring more prosperity. Marriage symbols like vermillion, mangalsutra etc. were not used in Sindh. In Sindhi families, the daughter's parents used to send sweets, fruits, clothes and ornaments as gifts to their son-in-law and their parents, siblings.
Girih patterns can be created in a variety of ways, including the traditional straightedge and compass construction; the construction of a grid of polygons; and the use of a set of girih tiles with lines drawn on them: the lines form the pattern. Patterns may be elaborated by the use of two levels of design, as at the 1453 Darb-e Imam shrine.
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