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Statue of H. P. Lovecraft, the author who created the Necronomicon as a fictional grimoire and featured it in many of his stories. The Necronomicon, also referred to as the Book of the Dead, or under a purported original Arabic title of Kitab al-Azif, is a fictional grimoire (textbook of magic) appearing in stories by the horror writer H. P. Lovecraft and his followers.
He is the author of Assassination and Commemoration: JFK, Dallas, and The Sixth Floor Museum at Dealey Plaza, [19] published by the University of Oklahoma Press in 2013. The book highlights the decades-long work of people determined to create a museum that commemorates a president and recalls the drama and heartbreak of November 22, 1963.
Dallas County Courthouse - Old Red Museum. The list of museums in North Texas encompasses museums defined for this context as institutions (including nonprofit organizations, government entities, and private businesses) that collect and care for objects of cultural, artistic, scientific, or historical interest and make their collections or related exhibits available for public viewing.
Dealey Plaza was built on land donated by early Dallas philanthropist and businesswoman Sarah Horton Cockrell. It was the location of the first home built in Dallas, which also became the first courthouse and post office, the first store, and the first fraternal lodge. It is sometimes called the "birthplace of Dallas". [15]
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Necronomicon: The Best Weird Tales of H.P. Lovecraft: Commemorative Edition is a select collection of horror short stories, novellas and novels written by H. P. Lovecraft. The book was published in 2008 by Gollancz and is edited by Stephen Jones .
Dallas County Judge Lew Sterrett was credited as the first to propose a monument to Kennedy on November 24, 1963, two days after the assassination. [4] The concept became a formal proposal on December 2, when Sterrett formed the John F. Kennedy Citizens Memorial Committee with Mayor Earle Cabell and two dozen prominent Dallas citizens. [ 8 ]
The $9 million project was begun in 1992 on 4.2 acres (17,000 m 2) of land donated by the City of Dallas; $4.8 million of the cost came from private funds raised from individuals and local businesses. [1] Local artists sued to stop the project and claimed that it was historically inaccurate for the city, but the project opened on time in 1994 [2]