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The first actors that appeared in Roman performances were originally from Etruria. This tradition of foreign actors would continue in Roman dramatic performances. Beginning with early performances, actors were denied the same political and civic rights that were afforded to ordinary Roman citizens because of the low social status of actors.
Fabia Arete was a dancer, actress and singer in Ancient Rome.. She was a freedwoman (specifically 'of Marcus'), which was a common background for a stage performer. [1] She is referred to as an archimima, which was the title for the leading lady actress of a Roman theatre, and as a diurna, signifying that she toured as a guest actress in different theatres and theatre companies, demonstrating ...
Eucharis would most likely have primarily performed as a dancer, as few other roles were open to women. [2] Her epitaph states that she had recently danced at "the games of the nobles", [3] [4] and that she had performed on the Greek stage before the People. [5] Eucharis was originally a slave, then a freedwoman, of the Roman woman Licinia. [6]
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Valeria, the name of the women of the Valeria gens. Valeria, first priestess of Fortuna Muliebris in 488 BC [1]; Aemilia Tertia (с. 230 – 163 or 162 BC), wife of Scipio Africanus and mother of Cornelia (see below), noted for the unusual freedom given her by her husband, her enjoyment of luxuries, and her influence as role model for elite Roman women after the Second Punic War.
Gaius Ummidius Actius Anicetus was a Roman pantomime actor who lived in Pompeii. [1] [2] Actius is attested in an inscription from Puteoli that identifies him as a pantomime actor. [3] The possibility has been raised that Actius may be the freedman (libertus) of Ummidia Quadratilla who is discussed in the letters of Pliny the Younger.
A memorial was made to her memory by her colleague, the actor-dancer Heracleides, at the Roman amphitheatre of Aquileia. [2] The memorial consists of a stone stele, which features a carved portrait of Bassilla, shown in fine, modest clothing and a dignified pose. Beneath the portrait there is a Greek-language inscription praising her. [1] [2] [3]
The Games of 17 BC also introduced day-time sacrifices to Roman deities on the Capitoline and Palatine hills. Certain sacrifices were unusually specified to be performed by married women. [5] Each sacrifice was followed by theatrical performances. [6] Later emperors held celebrations in AD 88 and 204, after intervals of roughly 110 years.