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Roman mosaic depicting actors and an aulos player (House of the Tragic Poet, Pompeii). The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. [1] The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in ...
Fabia Arete was a dancer, actress and singer in Ancient Rome.. She was a freedwoman (specifically 'of Marcus'), which was a common background for a stage performer. [1] She is referred to as an archimima, which was the title for the leading lady actress of a Roman theatre, and as a diurna, signifying that she toured as a guest actress in different theatres and theatre companies, demonstrating ...
Eucharis would most likely have primarily performed as a dancer, as few other roles were open to women. [2] Her epitaph states that she had recently danced at "the games of the nobles", [3] [4] and that she had performed on the Greek stage before the People. [5] Eucharis was originally a slave, then a freedwoman, of the Roman woman Licinia. [6]
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Valeria, the name of the women of the Valeria gens. Valeria, first priestess of Fortuna Muliebris in 488 BC [1]; Aemilia Tertia (с. 230 – 163 or 162 BC), wife of Scipio Africanus and mother of Cornelia (see below), noted for the unusual freedom given her by her husband, her enjoyment of luxuries, and her influence as role model for elite Roman women after the Second Punic War.
[1] [2] A memorial was made to her memory by her colleague, the actor-dancer Heracleides, at the Roman amphitheatre of Aquileia. [2] The memorial consists of a stone stele, which features a carved portrait of Bassilla, shown in fine, modest clothing and a dignified pose. Beneath the portrait there is a Greek-language inscription praising her ...
Augusta was a Roman imperial honorific title given to empresses and women of the imperial families. It was the feminine form of Augustus. In the third century, Augustae could also receive the titles of Mater Senatus ("Mother of the Senate"), Mater Castrorum ("Mother of the Camp"), and Mater Patriae ("Mother of the Fatherland"). The title implied the greatest prestige. [clarify] Augustae could ...
By the late Republic, women also often adopted the feminine of their father's cognomen. A woman kept her own family name after she married, though she might be identified in relation to her husband: the name Clodia Metelli, "Clodia [wife] of Metellus," preserves the birth name Clodia and adds her husband's name to specify which Clodia. Children ...