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"Interstate Love Song" is a single by American rock band Stone Temple Pilots. Released in 1994, the song was released as the third single from the band's second studio album, Purple . One of the band's biggest hits, "Interstate Love Song" reached number one on the US Billboard Album Rock Tracks chart on September 17, 1994, replacing the band's ...
The radio-friendly "Interstate Love Song" quickly became a big hit, spending a record-setting fifteen weeks atop the album rock tracks chart. Other hits from the album included "Vasoline" and "Big Empty". By October, just four months after its release, Purple had sold three million copies.
The band has had seven songs reach the number one position on the Billboard Hot Mainstream Rock Tracks chart, with "Trippin' on a Hole in a Paper Heart" being their fifth single to reach the top. In 1997, the song received a nomination for Best Hard Rock Performance at the Grammy Awards .
The song was also one of the first alternative rock songs to reach the number-one spot on the Album Rock Tracks chart during the height of the alternative rock/grunge scene. "Plush" won in the category of "Best Hard Rock Performance" at the 1994 Grammy Awards. The music video also earned the band an MTV Video Music Award for Best New Artist in ...
"Big Empty" is a song by the American rock band Stone Temple Pilots that first appeared in 1994 on the soundtrack of the film The Crow. The band later included the song on its second album, Purple, and released it as the lead single from that album.
Blue Öyster Cult 3-Song Pack: January 17, 2012: October 17, 2012 "Space Oddity" David Bowie: 1969: Rock Hits 60s-70s — November 27, 2012 "Barracuda" Heart: 1977: Classic Rock Pack: October 17, 2012 "Jeremy" Pearl Jam: 1991 Pearl Jam 3-Song Pack February 7, 2012: November 27, 2012 "Black" December 18, 2012 "Dammit" Blink-182: 1997: Blink-182 ...
Dave Dudley (born David Darwin Pedruska; [1] May 3, 1928 – December 22, 2003) [2] was an American country music singer best known for his truck-driving country anthems of the 1960s and 1970s and his semi-slurred bass.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...