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The dotted rhythm returns in instruments and voices in the chorus "Surely, He hath borne our griefs and carried our sorrows", the continuation of Isaiah's text, set in F minor. The chorus continues with the remainder of Isaiah 53:5 and ends on the words "the chastisement of our peace was upon him".
A summary of the Saviour's deeds is given in a compilation of words from both Isaiah and Matthew. The Old Testament part "He shall feed His flock like a shepherd" ( Isaiah 40:11 ), is sung by the alto in music in 12/8 time which is reminiscent of the Pifa , but moving first down, then up.
Isaiah 40:1–3: Isaiah, a new Exodus: 3: Ev’ry valley shall be exalted: Air T: Isaiah 40:4: 4: And the glory, the glory of the Lord shall be revealed: Chorus: Isaiah 40:5: Scene 2: 5: Thus saith the Lord, the Lord of Hosts The Lord whom ye seek shall suddenly come to His temple: Acc. B: Haggai 2:6–7 Malachi 3:1: Haggai, splendor of the ...
Deutero-Isaiah/Second Isaiah (chapters 40–54), with two major divisions, 40–48 and 49–54, the first emphasizing Israel, the second Zion and Jerusalem: [18] An introduction and conclusion stressing the power of God's word over everything; A second introduction and conclusion within these in which a herald announces salvation to Jerusalem;
The String Quartet No. 15 in G major, D. 887, was the last quartet written by Franz Schubert in June 1826. [1] [2] It was posthumously published in 1851, as Op. 161. [3]The work focuses on lyrical ideas and explores far-reaching major and minor modes, which was uncommon to this degree in his compositions.
Dotted notes and their equivalent durations. The curved lines, called ties, add the note values together. In Western musical notation, a dotted note is a note with a small dot written after it. [a] In modern practice, the first dot increases the duration of the basic note by half (the original note with an extra beam) of its original value.
Works in siciliana rhythm appear occasionally in the Classical period. Joseph Haydn , perhaps inspired by the bucolic associations of the genre, wrote a siciliana aria for soprano in his oratorio The Creation , "Nun beut die Flur das frische Grün" ("With verdure clad the fields appear"), to celebrate the creation of plants.
The piece opens with a lyrical melody with dotted rhythms that is reminiscent of the Hungarian style. [10] The theme is eventually repeated in F major, before briefly repeating in F minor, and transitioning into a somber, almost funereal, second theme.