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Grey comes from the Middle English grai or grei, from the Old English grǣġ, and is related to the Dutch grauw and German grau. [8] There are no certain cognates outside Germanic languages; terms such as Spanish gris and Italian grigio are considered Germanic loanwords from Medieval Latin griseus. [9]
When discussing Italian art, the term sometimes is used to mean painted images in monochrome or two colours, more generally known in English by the French equivalent, grisaille. The term broadened in meaning early on to cover all strong contrasts in illumination between light and dark areas in art, which is now the primary meaning.
During the Napoleonic period, which lasted from 1796 to 1815, the three Italian national colours gradually acquired an increasingly idealistic meaning, which over time became widespread among the population, disengaging from the original historical meanings linked to the birth of the three colours: the green has begun to represent hope, white ...
The name likely specifically stems from the Proto-Germanic language elements *grīsaz, "grey", and *hildiz, meaning "battle" (compare modern German grau and Held), thus literally "gray battle-maid". [1] [2] As a figure in European folklore, Griselda is noted for her patience and obedience and has been depicted in works of art, literature and opera.
An achromatic gray is a gray color in which the red, green, and blue codes are exactly equal. The web colors gray, gainsboro, light gray, dark gray, and dim gray are all achromatic colors. A chromatic gray is a gray color in which the red, green, and blue codes are not exactly equal, but are close to each other, which is what makes it a shade ...
A relic of the original meaning 'dusky, dark brown' survives in the Irish term daoine gorma 'Black people'. Irish language color wheel, with notes on their usage. In Old and Middle Irish, like in Welsh, glas was a blanket term for colors ranging from green to blue to various shades of gray (e.g., the glas of a sword, the glas of stone).
Pope Francis used a highly derogatory term towards the LGBT community as he reiterated in a closed-door meeting with Italian bishops that gay people should not be allowed to become priests ...
Hans Memling wing, with donor portrait in colour below grisaille Madonna imitating sculpture. Giotto used grisaille in the lower registers of his frescoes in the Scrovegni Chapel in Padua (c. 1304) and Robert Campin, Jan van Eyck and their successors painted grisaille figures on the outsides of the wings of triptychs, including the Ghent Altarpiece.