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A Raisin in the Sun at the Internet Broadway Database; A Raisin in the Sun at Theatricalia.com; Listen to the play online; EDSITEment's lesson Raisin in the Sun the Quest for the American Dream; Text to Text: ‘'A Raisin in the Sun'’ and ‘'Discrimination in Housing Against Nonwhites Persists Quietly'’ from The New York Times
The first line of "Harlem" asks "What happens to a dream deferred?" and the following ten lines work to answer the question. Hughes first asks four questions (such as "Does it dry up/like a raisin in the sun?"), presents a conjecture ("Maybe it just sags/like a heavy load.") and ends with a final question ("Or does it explode?"). [5]
Written and completed in 1957, A Raisin in the Sun opened at the Ethel Barrymore Theatre on March 11, 1959, becoming the first play by an African American woman to be produced on Broadway. The 29-year-old author became the youngest American playwright and only the fifth woman to receive the New York Drama Critics Circle Award for Best Play. [ 42 ]
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A Raisin in the Sun, from left, Louis Gossett Jr, Ruby Dee, and Sidney Poitier.. A Raisin in the Sun is a 1961 American drama film directed by Daniel Petrie, and starring Sidney Poitier, Ruby Dee, Claudia McNeil, Diana Sands, Roy Glenn, and Louis Gossett Jr. (in his film debut), and based on the 1959 play of the same name by Lorraine Hansberry.
Raisin is a musical with music by Judd Woldin, lyrics by Robert Brittan, and a book by Robert Nemiroff and Charlotte Zaltzberg. It is an adaptation of the Lorraine Hansberry play A Raisin in the Sun; the musical's book was co-written by Hansberry's husband, Robert Nemiroff. The story concerns an African-American family in Chicago in 1951.
A Raisin in the Sun is a play by Lorraine Hansberry that debuted on Broadway in 1959. A Raisin in the Sun may also refer to: "A raisin in the sun", a line fragment from the 1951 poem suite Montage of a Dream Deferred by Langston Hughes; A Raisin in the Sun, a theatrical film starring Sidney Poitier
Beyond A Raisin in the Sun, the film examines details of Hansberry's life as a left wing activist. Like her writing, the documentary draws attention to some of the critical issues of the mid-Twentieth Century and beyond (racial justice, colonialism, feminism, class divisions, sexuality) and addresses the role of artists and intellectuals.